by Paula Newton November 11, 2013. by Paula Newton November 11, 2013. ''Yet I admire them, and I don't want to belittle their achievements.'' Christophe, for example, was once chided by an East Hampton hostess for not showing up at a party. The theoretical thrust of ''The Image of the Black'' reflects Dominique more than John, whose interests were apt to find more direct expression. Fariha de Menil Friedrich discussed the main principles of Sufism, how it can be a friend and a helper in the contemporary puzzle of conflicting visions and religious doctrines and reflected on how her early life in Houston influenced her spiritual search. ''I'm extreme and I have strong tastes,'' says Christophe, who is also an excellent though unexhibited photographer. ''Each branch of the Schlumberger clan has a wing,'' Christophe explains. Dia Art Foundation, American foundation that supports contemporary art and artists, est. Helped by Citizens for Good Schools, a progressive organization supported by de Menil money, Everett won his seat, along with the other three candidates supported by the citizens group. ''If it hadn't been for them, we wouldn't be here,'' says Father Frank H. Bredeweg, now president of the college. The Rothko Chapel, with its sculpture, Barnett Newman's ''Broken Obelisk,'' expresses their involvement not only with art, but with politics and religion. [22], Their most controversial action on behalf of civil rights was their offer of Barnett Newman's Broken Obelisk as a partial gift to the city of Houston in 1969, on the condition that it be dedicated to the recently assassinated Martin Luther King Jr.[23] The city refused the gift, sparking a controversial debate[24] that ended only when the de Menils purchased the sculpture themselves and placed it in front of the newly completed Rothko Chapel. Millionaires are different from us, as everyone knows, but as a clan the de Menils are different even from their fellow millionaires, most noticeably in the unconventional ways in which they spend their money. ''She had a passion for art, and in later years she did buy it, but she gave it to her grandchildren - small things, a little Klee, a little Picasso, a little Rouault,'' says Dominique. Not helpful? Dominique de Menil appears regularly in Forbes magazine's annual listing of the 400 richest people in America, with an estimated worth of ''at least'' $200 million in Schlumberger stock and art alone. The foundation operates Dia:Beacon (est. ''I was interested in art, but shy and out of contact with the art world. But as a friend notes, ''She is maybe not so much a collector as a catalyst who makes things happen.'' Ironically, planned in a time of boom for Houston, the museum will be finished in a time of bust, due to falling oil prices. It is named for the late Abstract Expressionist painter Mark Rothko, whom the de Menils commissioned to do 14 dark, meditative paintings that are the only adornment of the octagonal building. ''Things just happen to me.'' The gray clapboard of the museum is in keeping with the small, traditional timber-frame homes -some used as foundation offices, others rented to friends, associates and various locals - that surround it. The de Menil museum in Houston, with its big main-floor display space and a second floor for open storage of art objects, embodies her vision of a museum as a place of ''beauty and enchantment, even before it's a teaching institution, a place where things can be seen on multiple levels, with a relationship made between the objects and the way they are presented.'' [2], Sheikha Fariha al-Jerrahi leads devotional prayers, ceremonies of divine remembrance, and provides spiritual guidance to initiates from her seat at the Dergah al-Farah in downtown Manhattan. While the de Menils' collecting and museum-building activities have been enthusiastically compared to those of the great Medici patrons, perhaps a more apt contemporary analogy is with the Rockefeller clan, which entered the art field in the early part of this century. ''Dominque said, 'I'll take it,' and she bundled herself in a tacky fur coat and went trudging through the rain, arriving at Levi-Strauss's looking like a drowned rat. Philippa - called ''Phip'' by intimates - the mother of two, is probably the closest heir to her mother's ''spirituality,'' and has her good looks and unpretentious manner. Today, while Dominique still administers the Institute for the Arts, and contributes to such programs as fellowships for graduate students in art history, the de Menil presence there has shrunk considerably. Also on display in Richmond Hall are four examples of Flavin's "monuments" to V. Tatlin, created between 1964 and 1969.[1][36]. While pressing toward the completion of the Houston museum, she finds time to head the Georges Pompidou Art and Culture Foundation in Paris; work on a long-range ethno-historical project, ''The Image of the Black in Western Art''; oversee the editing of the writings of Father Marie-Alain Couturier, the Dominican priest who introduced her and John to modern art; keep up with the activities of such de Menil projects as the Institute for the Arts at Rice University and the Rothko Chapel in Houston, and promote religious ecumenism through worldwide contacts among clergy of various persuasions. On the other hand, she can be imperious. The idea was born, Dominique says, out of her ''shock'' at discovering segregation ''when I arrived in the United States, and wondering why, when great artists have seen blacks as beautiful, dignified, noble, they were not considered so here.''. The work these artists made changed, or at least questioned, the nature of art: what it. ''Wasn't I there?'' [7] Her first husband (whom she married on May 14, 1969, in Harris County, Texas) was Italian anthropologist Francesco Pellizzi (born July 14, 1940). The story goes back to the early 70's when Heiner, a European dealer, transferred his activities to New York, while retaining his interest in his Munich gallery. But Heiner lives in a dream. Then you can see how a Communist lives.'' Heiner's Wagnerian ambitions to serve as impresario for artists with grand-scale visions appealed to her. Why Not Dedicate Art to King, De Menil Asks City Council., Richard, Paul. John shot from the hip. 1584-1586 - Franoise du Chtelet. They have also come to the aid of liberal-left politicians and Islamic religious groups, avant-garde music and counterculture films, archeological digs and art education, Long Island fishermen and anti-Vietnam activists. So hooked were they that, ''We went crazy,'' says Dominique. Adelaide wished that the starkly modern house, designed by the then-Mies-disciple Philip Johnson, could be like everyone else's. I spent hours talking with John about world politics and philosophy. You can look up the words in the phrase individually using these links: philippa? Raised in a code of stern Protestant morality, Dominique is quite prepared to give a million to a worthy cause, but not to spend money on such frivolities as taxis, according to Edmund (Ted) Carpenter. ''You support artists by buying their work, not by making shrines to them.''. she subsidized a lobbying effort on their behalf. Inheritance (oil) 20th-century art Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Overview Newswire RobbReport Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. The de Menils' involvement with blacks has not only been on the political level. Dr. Martin Luther King was assassinated, they offered it to the city of Houston on condition that it be dedicated to the black leader. '', Because Dominique saw ''collecting'' as pretentious, she was reluctant until recently to use the term. [35], De Menil's final project was a 1996 commission of three site-specific light installations by Minimalist sculptor Dan Flavin for Richmond Hall, a former Weingarten's grocery store in Houston. He remembers a rainy night in Paris, when he was ill with a cold but had a manuscipt to deliver to the noted anthropologist Claude Levi-Strauss. Playing savior to old buildings in the area, she and Ted Carpenter have rescued 15 of them and restored most, with the aid of the Houston architect, Howard Barnstone, a longtime family friend. During an earlier school board election, the de Menils helped launch the political career of Mickey Leland, a young black militant from Houston's grubby Fifth Ward, who is now serving his fourth term in the United States Congress. Though the building is not loved by some of Dominique's children, it is hoped that eventually the varied holdings of all of them will repose there, too. "[15] In 1954 they founded the Menil Foundation, a non-profit organization dedicated to the "support and advancement of religious, charitable, literary, scientific and educational purposes".[16]. To suggest the institution's role in enabling such ambitions, they selected the name "Dia," taken from the Greek word meaning "through." In 1930 she met the banker Jean de Mnil (who later anglicized his name to John de Menil), and they were married the next year. She has now turned her East Side carriage house into a fashion atelier. The bulk of the vast collection - reportedly worth between $150 milllion and $175 million - will be kept on the second floor in open storage, visible to anyone who wants to see it. What they do should be balanced against what's possible.''. she asked, in genuine surprise. So serious, in fact, was the recent plight of Dia that Dominique asked her son Georges, a trustee of Philippa's inheritance, to help. They gave major gifts of art to the school, bought land to expand the campus and hired Philip Johnson to design new buildings. The founders of the Dia Art Foundation have filed suit to stop the foundation from selling artworks in Dia's collection. Staff Interface | ArchivesSpace.org | Hosted by LYRASIS, Art and soul of GZ [ground zero] imams holy-pal heiress, 2010-09-27. Impressed with Leland, John de Menil took him under his wing and brought the young man into his own social and artistic circles, ''sophisticating a rough diamond,'' as Leland puts it. Their actions in Houston focused upon the Civil Rights Movement in particular. An ongoing project that seeks to catalogue and study the depiction of individuals of African descent in Western art, it is now under the aegis of Harvard University. ''Once the children had the disposal of their own fortunes,'' Dominique says, ''John and I never wanted to interfere.'' '', See the article in its original context from. The artists previously collaborated with the Dia Art Foundation, which was founded by Philippa de Menil (Dominique and John's daughter), to realise their monumental immersive light installation. Most of the land and houses within a six-block radius, quietly assembled by John, are under de Menil ownership. A painter himself, he had been a prime mover in the commissioning of Leger, Matisse and Rouault to do work for churches in France. [5] Heiner Friedrich and Fariha Friedrich (formerly Philippa de Menil), who (Such involvements were not confined to Houston, however; among other affiliations, John was a trustee of the Museum of Modern Art and the Museum of Primitive Art in New York.) Designed by the architect Charles Gwathmey and built at a reported cost of $6 million, the house - called ''Toad Hall'' by its owner - is a fantasy version of a luxury ocean liner, with a three-story greenhouse, screening room, game room, exercise salon, wine cellar and the obligatory swimming pool. [3] She studied physics and mathematics at the Sorbonne and developed an interest in filmmaking, which took her to Berlin to serve as script assistant on the Josef von Sternberg production of The Blue Angel. ''He made us greedy,'' Dominique says, remembering that the priest once appeared for lunch with a Rouault painting under his arm. (Once, for instance, he surprised the dance critic Jill Johnston with a round-trip ticket to England, so she could visit her birthplace.) Schlumberger, Dominique. But I think it will turn out superbly.''. ''Not only were they considered radical, but really different. ''I'm really too busy to see you today,'' she announced, and vanished. One of the world's largest corporations - its stock was worth nearly $10 billion at the end of 1985 - it employs some 73,000 people in more than 100 countries. Date of birth 1947 Birth place Houston, USA Philippa De Menil Siblings Philippa De Menil Age 71 (approx.) Kahn did produce some preliminary drawings, but the project was suspended in 1973 after John de Menil's and Kahn's deaths less than a year apart. THE NEW BUILDING will be close to another, even more un-Houstonian de Menil monument. Additionally, they have a manicured beachfront estate on Fishers Island, off Connecticut, and a house in Paris. ''It gives us a strong family feeling.''. "Les divers procds du film parlant". Beyond the family, their influence has been substantial, too. De Menil died in Houston on December 31, 1997. Soon, Rice was a beehive of arts activities. Dominique and John de Menil, circa 1967. In 1980, the woman she was had become a Sufi dervish named Fariha al-Jerrahi, and when the house of Dia fell, she moved on. Ever since, Dia's mission has been to commission, support, and present site-specific long-term installations and single-artists exhibitions to the public. stephen scherr family; nigel jones philadelphia. Photo by Michael Schmelling [11] Influenced by the teachings of Father Couturier and Father Congar, the de Menils developed a particular humanist ethos in which they understood art as a central part of the human experience. Brennan, Marcia, Alfred Pacquement, and Ann Temkin. The issue was really the kind of institution St. Thomas was to be - would it maintain its Catholic identity or would it become a secular college? You were sharing in the great adventure of making a work of art that was maybe too crazy to realize in any other way.'' Eventually, the de Menils and their entourage became so much a part of the St. Thomas scene that ''it became difficult to operate without stepping on one of their toes,'' says Father Patrick O. Braden, president of the college at the time. In 1974, Fr [1] American Sufi leader ''The things I've collected resemble the sort of works my parents acquired, but maybe less broad in range and less expensive,'' he says, pointing out, on a hall wall, a favorite Braque painting of his father's given him by Dominique. Dia initially focused on commissioning works by a select group of contemporary artistsnotably, minimalists and conceptual artists. [1] After Jermayne MacAgy's death in 1964, de Menil took over her classes and became the chairperson of the art department at the University of St. Thomas, curating several exhibitions over the next few years. She received direct transmission from him in 1980. In, Donald D. Clayton, "The Dark Night Sky: a personal adventure in cosmology" Quadrangle/The New York Times Book Co. (New York 1975), Richard, Paul. [1], The Menil campus also includes the Byzantine Fresco Chapel. Dominique, who from childhood had an impulse toward collecting, acquiring such objects as ''shells, cut-out images, exotic seeds,'' attributes her interest in art -late-blooming as it was - to her mother, who would have collected, save for her husband's disapproval. Francois's taste in art is more of a mixed bag than Christophe's, ranging from works by Matisse, de Chirico, Picasso and Rothko to a flock of life-size fake sheep by the French artists Francois-Xavier and Claude Lalanne. [29] The Foundation offered the CarterMenil Human Rights Prize, sponsored by the Rothko Chapel, to organizations or individuals for their commitment to human rights. After his death, he lay in state, wrapped in a sheet in his own bed. There was a moral obligation to get involved with their involvements. Expanding. She is not a ''go-getter,'' she insists in her French-tinged English. The Fathers, too, can now see both sides. * In the early 1990s Dia became a ''Each of the children,'' says Adelaide now, ''would have preferred his or her own choice of architects, but after all, it is my mother's museum. [1], In addition to becoming known as collectors and patrons of art, John and Dominique de Menil were vocal champions of human rights worldwide. That same year they provided the University of St. Thomas, a small Catholic institution in Houston, with funding to build Strake Hall and Jones Hall, designed by Philip Johnson per their recommendation. And I loathed the black-tiled floor. Like the other children, he realizes fully that his parents are a difficult act to follow. (Box, page 38.) John liked to gather the interesting, the creative and -by Houston's standards - the outrageous around him: black activists, artists, poets, renegades of every sort. The Barnett Newman ''Broken Obelisk,'' made of Cor-Ten steel, stands 26 feet high in a reflecting pool that faces the chapel's entrance. De Menil's largesse had created a kind of refuge from the speculative market in art then taking shape in New York, and a new canon of monumental, spiritually charged epics: a SoHo gallery floor buried, permanently, wi th black ear th; a hollowed-out volcano, transformed into a science-fictional archaeo-astronomical laboratory for perceptual flight; a Promethean bed of nails poking dangerously into the desert sky, awaiting some gargantuan penitent. And early last year, facing an inquiry by the New York State Attorney General into its management practices - with a debt of more than $6 million, a projected budget of $5 million, but no visible source of income - Dia began to pull in its horns. Sheikh Muzaffer Ozak's most prominent disciples and successors in North America were Tosun Bayrak, Lex Hixon, and Philippa de Menil. Institute of Religion Accepts Controversial Broken Obelisk.. Whitman brought a suit against Dia, which is pending. [18] The de Menils supported Rice University astrophysics professor Donald D. Clayton for a two-week residence in Rome in JuneJuly 1970 for daily work with Rossellini,[19][20] conceiving a film about cosmology that did not advance to filming but that was published in 1975 as a personal memoir of a life discovering the universe. (A question mark next to a word above means that we couldn't find it, but clicking the word might provide spelling suggestions.) "The Memory of Rossellini in Texas." In the dining room, 18 rare chairs by the Viennese architect Josef Hoffman surround a pair of tables designed by Gwathmey. The platform roof comprises precision-made structural elements of ferrocement and steel, engineered so as to reflect changing light conditions with great sensitivity. Very much the image of upper-class young marrieds, the pair rode horseback in the Bois de Boulogne, and confined their artistic interests to the likes of Christian Berard, a lightweight Parisian contemporary. [31] The result was a museum that appeared "small on the outside, butas big as possible inside". They began to concentrate on the more established Museum of Fine Arts. [6], "Shaykha Fariha al Jerrahi | WISE Muslim Women Shaykha Fariha al Jerrahi", https://en.wikipedia.org/w/index.php?title=Fariha_al_Jerrahi&oldid=1096401510, This page was last edited on 4 July 2022, at 07:16. The foundation, which commissions and purchases artworks, specializes in artists first recognized in the 1960s and 70s and younger artists working within the same aesthetic . Guided by her longtime companion, the anthropologist Edmund Carpenter, she has acquired a formidable collection of objects from tribal cultures - Peruvian feather hangings, Polynesian sculptures, Eskimo carvings, masks by Northwest Coast Indians. The big, Orientally carpeted chambers, including a prayer room, are accented by Dan Flavin's sculptures of fluorescent light, among other works, and on one wall hangs a portrait of the Friedrichs' late Sufi guru, Sheik Muzaffer Ozak. Dominique, who was courted by other cities, says that the museum is in Houston because ''I was so encouraged here.'' For example, use For several artists besides Judd, houses with studio or living arrangements were provided along with annual stipends, and museums were set up for the work of others. The de Menils often personally recruited faculty members for the departments and brought many renowned artists and art historians to Houston, including Marcel Duchamp, Roberto Matta, and James Johnson Sweeney, whom they convinced to serve as museum director for the Museum of Fine Arts, Houston from 1961 to 1967. It also features temporary exhibitions. (Brought up a Protestant, she converted to Catholicism to marry John.) ''I went to breakfast, lunch and dinner at their house and met every important person they knew. It has, among other gifts, attracted two $5 million contributions: one from the Cullen Foundation, set up by the late conservative oilman Hugh Roy Cullen, another from the Brown Foundation, established by the late Brown brothers, Herman and George R., who were partners in the giant engineering-construction firm of Brown & Root. Raised a Protestant, Dominique converted to Roman Catholicism in 1932. [1] At Rice, the de Menils also cultivated their interest in film, working with such noted filmmakers as Roberto Rossellini, who made several trips to Houston to teach Rice University students and create television documentaries. Behind that fragile, otherworldly facade is a complex person of very ambitious reach.''. Woe Follows the Obelisk., Hobdy, D. J. I never really wanted to collect, but the idea of a foundation that would help artists build excited me. But, he says, ''I was fortunate to be exposed to their interest in art as part of the natural fabric of life. (Philippa's first name was changed to Fariha when she converted to Islam during the wedding ceremony to Heiner) and co-founded Dia with Helen Winkler in the mid to late 1970s. The enigmatic Friedrich quit New York, disappeared into a wandering, art-mad exile; Philippa de Menil, the embattled heiress, had long since ceased to exist. Rites were performed not only by a Catholic prelate, but a black Baptist minister, a rabbi, and a Buddhist priest. Philippa de Menil New York. Her second husband is is a German-born former art dealer, Heiner Friedrich, with whom she is deeply engaged in Sufism. I think they're inspired.'' We - my brothers and sisters and I - each have a different focus. So in tune with the de Menils' judgments was Sweeney that at one point, seeing a show in Paris of cranky kinetic works by the then-little-known Swiss sculptor Jean Tinguely, he let them know about it. But we are definitely a collection of people very much influenced by John and Dominique. The building, primly sheathed in what one Houstonian calls ''Protestant gray clapboard'' (probably a first for a museum in this country), has on the ground floor exhibition spaces set in a landscaped garden. Georges and Lois de Menil have not lagged behind. Since its inception, the chapel has witnessed all manner of events, from high-minded colloquia to weddings, bar mitzvahs, a Sufi ceremony by whirling dervishes from Turkey, a reception for the Dalai Lama and avant-garde concerts. While fostering bonds with the greater Sufi & Muslim American communities, the role of women in Islam and spiritual ecology have been of special importance to her message. John's assertiveness made itself felt even as he lay dying of cancer, when he prepared a scenario for his funeral. He later realized who had delivered the manuscript and wrote her a note.'' ''', Dominique's craving found expression during the couple's frequent visits to New York in the 40's and 50's, where they met Father Marie-Alain Couturier, a French Dominican priest who spent the war years there. Their Georgian town house of brick and marble, while more for-mally ordered than the digs of the others, serves as a setting for high-caliber contemporary art, and is one of the Upper East Side's more elegant private dwellings. (5) Philippa (Anne Caroline Philippa de Mnil) (born June 13, 1947) - A co-founder of the Dia Art Foundation. They were the first Americans to influence Europeans. Philippa and her husband Heiner have made over a former apartment building into a townhouse. After undergoing revisions by several architects, including Philip Johnson, Howard Barnstone, and Eugene Aubry, the non-denominational Rothko Chapel was dedicated on Menil Foundation property in 1971 in a ceremony that included members of various religions. Sheikha. The conflict, as is the case with most de Menil disagreements, actually reveals the strength of the family's ties, according to Ted Carpenter: ''It's like an Italian family arguing over the pasta. Hopps, a well known presence in the field of contemporary art, comes from California and made a reputation early on as director of the esteemed Pasadena Museum of Art. Description Art and Activism surveys John and Dominique de Menil's projects in art, architecture, and civil and human rights, initiatives that deeply affected the city of Houston and often national and even international communities. Flowering, in a way. They found it after the war, when their view of Ernst had improved, and they later became one of the artist's most diligent patrons, winding up with more than 100 of his works. TimesMachine is an exclusive benefit for home delivery and digital subscribers. They have sold off a good deal of it over the years, and diversified their holdings. (To help finance this expensive venture, she sold a number of important paintings last year at Sotheby-Parke Bernet, realizing more than $2 million. When John de Menil walked into Alexander Iolas Gallery in Paris one day in 1964, Jean Tinguely's moving, noisy sculptures stole part of . Today, Dominique says, her relationship with the still-small institution is ''very friendly. Though designed by one of the architects of the flamboyant Pompidou Center in Paris, which wears its plumbing on its facade, it bears no resemblance to that outrageous folly. [1] She also published articles on film technology in the French journal La revue du cinma.[4]. Both pupils received new Sufi names. Menil Archives, The Menil Collection, Houston. Fariha de Menil Friedrich discussed the main principles of Sufism, how it can be a friend and a helper in the contemporary puzzle of conflicting visions and religious doctrines and reflected on how her early life in Houston influenced her spiritual search. The family was met in Havana by John, who - having joined Schlumberger in 1938 - had been in Rumania, overseeing Schlumberger operations there, as well as putting sand into the gear boxes of Rumanian trains carrying oil to Germany. ''He reminds me of my father,'' she says, ''with his strong idealism and willingness to undertake certain things that others wouldn't. The city's negativism toward the piece, however, served as a goad to the active de Menil political conscience, according to Fred Hofheinz, a young white liberal who was elected Mayor of the volatile city in 1973 with heavy de Menil backing. Their collection was motivated by their shared interest in the many ways individuals over different cultures and eras reveal through art their understanding of what it means to be human.[7]. Someone recommended a Surrealist painter named Max Ernst to decorate a wall of their apartment; disliking his proposal, the newlyweds commissioned from him instead a portrait of Dominique. 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Age 71 ( approx. estate on Fishers Island, off Connecticut philippa de menil and Ann.. Du cinma. [ 4 ] over a former apartment BUILDING into a fashion atelier can be.... I went to breakfast, lunch and dinner at their house and met important... `` go-getter, '' Christophe explains the priest once appeared for lunch with a Rouault painting under his.... Even as he lay dying of cancer, when he prepared a for! Manuscript and wrote her a note. '' made changed, philippa de menil at least questioned, Menil! Too, can now see both sides apartment BUILDING into a townhouse possible. '', 1997 Catholicism 1932. I do n't philippa de menil to belittle their achievements. '' Because Dominique saw `` collecting '' as pretentious, can... But shy and out of contact with the art world, the Menil campus also includes the Byzantine Chapel!
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